Showing posts with label Drawing. Show all posts
Showing posts with label Drawing. Show all posts

Monday, April 19, 2010

Poem for Monday




I Take Master Card
(Charge Your Love to Me)
-Nikki Giovanni
I've heard the stories
'bout how you don't deserve me
'cause I'm so strong and beautiful and wonderful and you could
never live up to what you know I should have but I just want to let you know:

I take Master Card

You can love me as much as your heart can stand
then put the rest on
account and pay the interest
each month until we get this thing settled

You see we modern women do comprehend

that we deserve a whole lot more
than what is normally being offered but we are trying
to get aligned with the modern world

So baby you can love me all

you like 'cause you're pre-approved
and you don't have to sign on
the bottom line

Charge it up

'til we just can't take no more
it's the modern way

I take Master Card

to see your Visa
and I deal with a Discovery but I don't want any American
Express 'cause like the Pointer Sisters say:  I need a slow hand.
Nikki Giovanni

Thursday, March 11, 2010

Words and Pictures


























The relationship of words and pictures have some special magic. Somewhere between them lies the true story for me. I've been tinkering/struggling with 3 childrens books off and on for about 6 years. I've never had any formal education on how to actually write and illustrate a book but this week came across some advice that went right to my heart. Victoria Thorne a new colorgirl follower, has been given some incredible advice to follow by author and illustrator M.B. Goffstein. If you aren't familiar with Goffstein's work, you most likely are and don't know it. Time Magazine has said about her- "Goffstein is a minimalist, but her text and pictures carry the same emotional freight as William Blake's admonishment to see the world in a grain of sand and eternity in an hour" 



Here is her advice- 
How to Write and Illustrate a Picture Book
Copyright © M.B. Goffstein 2009
   
To Victoria Thorne, with love
 
To make a 32-page picture book, take your favorite book and count the pages.
Count them over and over.
The pages of a book are divisible by 8, preferably by 16.
If you have a 24-page book, you can use the extra 8 pages as endpapers (2 sides are pasted down).
Make sure the pages of front matter are in order.
You can have more or fewer, but the book must be made right to have energy.
Paging the book, dividing the text into pages, is crucial.
Write something you don't know but long to know.
It is tiresome to read a text that the author hasn't fought for, lost, and by some miracle when all hope is gone, found.
When you have your text, say it over and over until the rough edges are worn smooth.
Recite it to yourself in the mirror.
The book must be separate from you.
You are serving the book.
It has to make its way in the world.
Make sure it can communicate.
Paging a book is difficult.
Do not start to illustrate until you have divided the text among the pages.
The book should speak without pictures.
There is one way for your book to look.
It is your duty to find it.
What do the characters look like?
Their world is on paper before you.
The characters talk to each other.
They mean what they say.
Their hearts are in it.
What makes you think children like childish things?
Don't tell them how to be children.
They want to grow up.
Do them the honor of reaching for something far beyond you.
It won’t be noticeable but it will be felt.
Do the book and forget it.
Do not strive to be known as the author of . . .
Your next book will be harder, and so on.
You cannot grow if you repeat past successes.

Some Illustration in the works from one of my picture books. FlingFlong won't leave me alone.

Tuesday, February 23, 2010

Artist Trading Card Night

I'm starting to organize another artist trading card night for Providence the end of March. If you missed the one we did last year here's your chance to connect with a group of wonderful, diverse artists. There were about 40 of us last year that spent 2 hours trading original pieces of art measuring 2.5" x 3.5" The range of styles and mediums were incredible. Tiny photos, sculptures, die cuts, collage, stamped, stiched, cartoons, paintings and everything in between. Our youngest artist was 5 and I'm guesing we had some folks in their 70's there. Visual artists tend to not socialize much out side of openings so this was a pressure free way to get to know a lot of local artists and get beyond small talk. Everyone had there own mini show going. There's no money exchanged, just ideas, emails and little teeny masterpieces. I'm hoping we can get some writers involved this year. trading mini novelas, plays, or sonnets. I'm working on a date and location now. But March 31, downtown Providence, a childrens' trade starting at 6 and adults at 7:30.  So get out those tiny canvases and stay posted for the info blast soon.

Wednesday, February 3, 2010

Graffiti Surprise in 100 Years

"An artist is always alone - if he is an artist. No, what the artist needs is loneliness"-Henry Miller 
My sweetheart, Paul, is one of three photographers asked by AS220 to respond to and interpret the renovation of the Mercantile Building on Weybosset Street in Providence, RI. The last building AS220 transformed, the Dreyfus Hotel, now houses their admin offices, printshop, gallery and the restaurant Local 121. Describing The Dreyfus, a huge body of work by Paul Clancy, David Ellis, Erik Gould, Scott Lapham, Susan Mobley and the students of Photo Memory, was presented in the fall of 2007 and wonderfully represented the range of talent and vision of these artists. Many great discoveries and stories of past lives of the building came to the surface while these artist recorded the building being dismantled and brought to life again. Now it's the Mercantiles' turn and I've gotten to tag along a few times while Paul has shot there. One warm day last fall I  brought with me a big bag of drawing materials. The walls are large and were coming down so I thought it would be fun to use some large charcoal. Grandma does graffiti. What I found worked well were some charred logs from my fire pit out back. Why not? That's what the stuff is made from and these walls are big.  It's kind of spooky in there so I also brought with me a tiny oil painting by the founder of the Providence Art Club, self taught artist, George Whitaker. I hung it next to me on the wall while I worked. This tiny landscape is over a hundred years old and speaks to me so much about the difference between being alone and lonely. One of my favorite objects I've ever bought myself. A lovely fact I recently stumbled upon is George Whitaker's studio was in the Mercantile 100 years ago. So as I've watched them bury my drawing under new shiny wall studs I can't help but wonder if someone 100 years from now will discover my work beneath sheet-rock and be as touched by it as I've been by Mr. Whitaker's painting of the tiny figure in the field circled in light. Paul and I have a piece of work entitled Mercantile:Two Part Intervention that will be part of the AS220 show at the CCRI Knight Campus Gallery till March 4th with an opening Feb. 4th.